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VIET THANH NGUYEN: President Clinton, President Obama, despite their rhetoric and despite their praise of certain kinds of inclusionary attitudes towards refugees and immigrants and minorities and women and so on, yes, they were responsible for various kinds of policies that had negative impacts on minority populations and on immigrant and refugee populations. Nguyen… So I just owe thanks to some incredible teachers, when I was 4 or 5 or 6, who taught me English. Leave a comment →, As dozens of migrants from Central America remain camped out at the U.S.-Mexico border attempting to seek asylum in the United States, we spend the hour with two of the nation’s most celebrated writers, both refugees themselves. U.S. troops were on Russian soil, fighting along with the British, the French, just about everybody else, to try to destroy that revolution, which, in great measure, is one of the reasons why the Russian revolution turned so sanguinary itself—. —The Minneapolis Star Tribune, “Together, the stories share similar threads of loss and adjustment, of the confusion of identity, of wounds that heal and those that don’t, of the scars that remain.“ Viet Thanh Nguyen is a literary scholar and fiction writer crafting a more nuanced portrait of the Vietnam War and exploring the myriad ways that … This is a refugee novel, a war novel. These people were kidnapped from their native lands in Africa, in Latin America, in Asia, and even the American Prairie Indians were brought. ARIEL DORFMAN: Right. It’s just that it doesn’t hit the corporate media radar screen. Dorfman, who teaches at Duke University, has just published a new novel, Darwin’s Ghost, and a new collection of essays titled Homeland Security Ate My Speech. The book—oh, the latest book is called The Displaced. You have to look inside the United States and say, “OK, if it’s wrong for the Russians to intervene in the U.S. election”—and it’s certainly wrong—”it’s wrong for any country to intervene in the sovereign affairs of another nation.” We should allow other nations to decide their fate. He takes over the life and the face and the identity, and forces this young, typical American kid to face what his own country has been doing in these countries. —The Economist, “…an incisive and heartbreaking exploration of the refugee crisis…” And in 1975, when Vietnam fell, or was liberated, depending on your point of view, my family became refugees. After the fall of Saigon in 1975, he and his family fled to the United States. And when I wrote The Sympathizer, I really wanted to incorporate a lot of the music that I heard into the novel. Do you each have a question for each other? And many of them, in fact, were subjected, especially in the case of Patagonians, to experiments by scientists, who were trying to find the missing link in the Darwinian chain of evolution, thinking that these were an inferior form, a dehumanized form of—a dehumanized form of humanity—right?—that they were lower forms of humanity. Find books —The Millions. ARIEL DORFMAN: I know. Writer Viet Thanh Nguyen lives the insider-outsider life of a refugee. AMY GOODMAN: So, Ariel Dorfman, it was great to see you reading from your new novel last night, Darwin’s Ghosts, and we’ll try to get to that in this hour. A refugee is an official classification. Pulitzer Prize–winning author of The Sympathizer Viet Thanh Nguyen called on 17 fellow refugee writers from across the globe to shed light on their experiences, and the result is The Displaced, a powerful dispatch from the individual lives behind current headlines, with proceeds to support the International Rescue Committee (IRC). Those people who are coming across the border, supposedly invading us, are the result of multiple invasions of their lands in the past and of very specific forms of drug wars and wars in their countries right now, which the United States has sponsored. He is the author of The Sympathizer, which was awarded the 2016 Pulitzer Prize for Fiction alongside seven other prizes.He is also the author of the short story collection The Refugees, the nonfiction book Nothing Ever Dies, a finalist for the National Book Award, and is the editor of an anthology of refugee writing, The Displaced. ARIEL DORFMAN: The first time I gave him a hug, but we’ve been talking on email back and forth. Viet and Ariel, we welcome you both to Democracy Now! I mean, but they were called savages as such, right? Talk about your concerns at the time, well over a year ago, and what you feel now. These writers explore and … These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. AMY GOODMAN: We’re talking to Viet Thanh Nguyen, the Pulitzer Prize-winning author. The country of March, just 10,500 refugees entered the United States, you do! To put it in another perspective obligation of every person born in Vietnam in 1971 that can... Me to write about the unique situation of belonging in two cultures, in to! Here you are meeting that he has brought together wonderful voices, really,. 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